Episode number 7 of Series “The Australian eye II”.
Painted in mid-career, “The Lacquer room” shows Grace Cossington Smith’s mature, Cezanne-influenced style and demonstrates her instinctive ability to bring forms up to a frontal plane in Post-Impressionist rejection of traditional perspective.
Content notification
Our collection comprises over 40,000 moving image works, acquired and catalogued between the 1940s and early 2000s. As a result, some items may reflect outdated, offensive and possibly harmful views and opinions. ACMI is working to identify and redress such usages.
Learn more about our collection and our collection policy here. If you come across harmful content on our website that you would like to report, let us know.
How to watch
Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
005948
Language
English
Subject categories
Crafts & Visual Arts → Art - Australia
Crafts & Visual Arts → Art - History
Crafts & Visual Arts → Art - Study and teaching
Crafts & Visual Arts → Art - Themes, motives
Crafts & Visual Arts → Art appreciation
Crafts & Visual Arts → Art criticism
Crafts & Visual Arts → Art, Modern - 20th century - Australia
Crafts & Visual Arts → Artists - Australia
Crafts & Visual Arts → Painters - Australia
Crafts & Visual Arts → Painting - Technique
Crafts & Visual Arts → Painting, Australian
Crafts & Visual Arts → Post-impressionism (Art)
Crafts & Visual Arts → Smith, Grace Cossington, 1892-1984
Crafts & Visual Arts → Women painters
Documentary → Documentary films - Australia
Education, Instruction, Teaching & Schools → Art - Study and teaching
Educational & Instructional → Educational films
Sound/audio
Sound
Colour
Colour
Holdings
16mm film; Limited Access Print (Section 2)
16mm film; Preservation Print (Section 5)
16mm film; Access Print (Section 1)