Fellini: the director as creator

United States, 1970

Film
Please note

Sorry, we don't have images or video for this item.

This short film on the late, great, Italian film director was the first time motion picture cameras were permitted on the set to reveal his creative process. Harold Mantell’s documentary uses footage shot behind the scenes and on the sets of of Fellini’s film “Juliet of the Spirits” (1965) (304304) as a canvas to talk about this acclaimed director. The film shows the magnificent film sets, Fellini’s character people (whose faces were invented for his films), the relationship with his actor/wife Guilietta Masina, and the cast and crew. The film also features his techniques of improvisation and interview material. “Juliet of the Spirits” is held in the Collection on VHS. While the film is crammed with interesting facts about Fellini, the man and creative artist, it is not intended as a guide to his body of work. Another documentary in the Collection on VHS, “Ciao Frederico: A Portrait Of Frederico Fellini,” was also made during the shooting of “Satyricon”.

Content notification

Our collection comprises over 40,000 moving image works, acquired and catalogued between the 1940s and early 2000s. As a result, some items may reflect outdated, offensive and possibly harmful views and opinions. ACMI is working to identify and redress such usages.

Learn more about our collection and our collection policy here. If you come across harmful content on our website that you would like to report, let us know.

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/67806--fellini-the-director-as-creator/ |title=Fellini: the director as creator |author=Australian Centre for the Moving Image |access-date=8 July 2024 |publisher=Australian Centre for the Moving Image}}