Destiny Deacon works

Australia, 1992-2002

All works courtesy Destiny Deacon and Roslyn Oxley9 Gallery, Sydney

Film First Nations

“What I do is interpret my visions of how we feel as Aboriginal people living in a colonial society like Australia.”

Destiny Deacon creates works that make First Peoples laugh, while forcing non-Indigenous people to reckon with their imaginings of us. Her work spans video, photography and installation, and often engages her family and friends to help set her scenes. She rescues plastic dolls, tea towels and other Koorie kitsch from op shops and markets to create her imagined worlds.

In her works, Destiny references popular culture and spotlights the lack of Indigenous representation on screen and the oversaturation of images that misrepresent us. The characters in Destiny’s worlds look back at the viewer knowingly, cheekily contesting the origins of racist stereotypes and preconceived ideas of Aboriginal identity.

Her works centre Indigenous people in the frame, playing roles more nuanced and diverse than what has been available to us in the mainstream. They are equal parts funny as they are dark, and as Destiny says, “There’s absurdity even in what’s terrible, and what’s absurd shows up the flaws in the situation. If you didn’t see the humour in things you’d go mad.”

This work contains First peoples content

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Collection

Not in ACMI's collection

Previously on display

19 February 2023

ACMI: Gallery 4

Credits

artist

Destiny Deacon

Production places
Australia
Production dates
1992-2002

Collection metadata

ACMI Identifier

Curatorial section

How I See It: Blak Art and Film → Zone 9

Collected

5046 times

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

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