“Tracing the material and cultural implications of extraction and storage, DIGGERMODE is a generative behind-the-servers look into how memory works within platform capitalism.”
DIGGERMODE questions the social and environmental ethics of technology in constructing, storing and sharing our images, whether in surveillance databases, museum archives or online. With artificial intelligence (AI), Joel Sherwood Spring has created landscapes in the style of acclaimed Arrernte artist Albert Namatjira being torn apart by mining machinery, and has trained another AI to answer questions like “Who’s your Mob?” Presumably, anyone could do this – but should anyone be able to appropriate Indigenous art from the internet? How do we protect our knowledges in digital spaces? Can sand used to make silicon microchips contain memories of Country?
Joel’s work confronts the viewer with uncomfortable and overlooked aspects of our hyper-networked age, grounding the possibilities of ‘the cloud’ and AI in the broader context of ongoing colonisation. The work considers the environmental damage caused by new technology and data storage, and how it is Indigenous peoples whose lands and ways of being are profoundly impacted by capitalism’s extractive processes.
Videographer: Akil Ahamat
Script advisor: Enoch Mailangi
Sound production: Bridget Chappelle
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How to watch
Collection
In ACMI's collection
Previously on display
19 February 2023
ACMI: Gallery 4
Credits
Collection metadata
ACMI Identifier
Z000199
Language
English
Subject category
Digital Art
Curatorial section
How I See It: Blak Art and Film → Zone 6
Sound/audio
Sound
Colour
Colour
Measurements
28 min 51 sec
Object Types
Artwork
Materials
Two-channel video installation