Abel Gance: Hier et Demain

France, 1963

Film
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In this documentary narrated by Abel Gance and directed by his former assistant (and filmmaker) Nelly Kaplan, the great director reminisces about his career which started in the silent era. With ‘Mater Dolorosa’ (1917) and especially ‘La dixieme symphonie’(1918), ‘J’accuse’ (1919) and ‘La roue’ (1921-23), Gance became a leading member of the French avant-garde. His work was characterised by dramatic excess (La dixieme symphonie), formal inventiveness (La roue), and technical innovation (split screens, complex camera movements, experiments with sound), all trends which find their apotheosis in ‘Napoleon vu par Abel Gance’ (1927), a five hour epic comparable to Griffith’s ‘The birth of a nation’ (1915) in its combination of reactionary ideology and formal brilliance.” Reference: Ginette Vincendeau. The companion to French cinema. BFI Publishing, 1996.

Credits: Director, Nelly Kaplan ; music, Michel Magne.

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Credits

director

Nelly Kaplan

Production places
France
Production dates
1963

Collection metadata

ACMI Identifier

X001098

Language

French

Subject category

Foreign language films

Sound/audio

Sound

Colour

Colour

Holdings

16mm film; Limited Access Print (Section 2)

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If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/116479--abel-gance-hier-et-demain/ |title=Abel Gance: Hier et Demain |author=Australian Centre for the Moving Image |access-date=24 August 2024 |publisher=Australian Centre for the Moving Image}}