European hand-painted panoramic magic lantern slides

Courtesy Martyn Jolly

Object On display
Photograph by Egmont Contreras, ACMI.

The earliest magic lantern slides were drawn and coloured by hand, using transparent pigments that were most often oil-based. Drawing and colouring wasn’t easy because the slippery glass surface meant the pigment could run, blurring the intended detail. Even worse, the smallest aberrations or errors would be magnified by the projection, so artists needed to be highly skilled and develop specialist tools for these minute details. The changing technology of the magic lantern influenced the way the images were painted and manufactured, with the invention of better illuminates and optical systems demanding even more detailed transparent paintings. Panoramic lantern slides allowed lanternists to progress the narrative without changing over the lantern slides, making for smoother presentations and increased drama and delight from audiences.

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Collection

Not in ACMI's collection

On display until

16 February 2031

ACMI: Gallery 1

Credits

creator

Maker not documented

Collection metadata

ACMI Identifier

Curatorial section

The Story of the Moving Image → Moving Pictures → MI-02. Play and Illusion → MI-02-C01

Collected

20890 times

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If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/100564--european-hand-painted-panoramic-magic-lantern-slides/ |title=European hand-painted panoramic magic lantern slides |author=Australian Centre for the Moving Image |access-date=15 August 2026 |publisher=Australian Centre for the Moving Image}}