When
Wed 16 Mar 2022
Update
Cinémathèque’s Preston Sturges season will take place at The Capitol with ACMI Cinemas currently closed due to urgent building works. There is no box office at The Capitol, so new memberships must be purchased online or at the ACMI Tickets and Information Desk, which will remain open until 7:30pm on screening nights. We apologise for any inconvenience and look forward to welcoming Cinematheque members back to the ACMI Cinemas soon.
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A failure upon first release with both audiences and critics, Preston Sturges’ last great film is a hilarious and often-dark portrait of a crazed orchestra conductor (Rex Harrison) who, while performing pieces by Rossini, Wagner and Tchaikovsky, fantasises three ways to deal with his wife’s (Linda Darnell) supposed infidelity.
Now seen as one of Sturges’ supreme achievements, and championed by filmmakers like Quentin Tarantino and Terry Jones, Unfaithfully Yours takes the writer-director’s penchant for verbal and physical comedy to its logical and heightened extreme. Harrison’s brilliantly staged destruction of a room is one of the cinema’s greatest comic set-pieces.
Screens with
Program
"This Cockeyed Caravan": the Comic Universe of Preston Sturges
Sullivan's Travels (1941) – Wed 2 Mar at 7pm
The Great McGinty (1940) – Wed 2 Mar at 8.45pm
Christmas In July (1940) – Tues 8 Mar at 7pm
Hail the Conquering Hero (1944) – Tues 8 Mar at 8.20pm
The Palm Beach Story (1942) – Wed 16 Mar at 7pm
Unfaithfully Yours (1948) – Wed 16 Mar at 8.40pm
About the program
Preston Sturges (1898-1959) was the great shooting star of 1940s Hollywood cinema. Brought up by an itinerant mother who travelled to Europe to follow the likes of Isadora Duncan and Aleister Crowley, Sturges came to prominence in a burst of creativity and success on Broadway in the late 1920s before a ten-year stint as a jobbing and well-paid screenwriter for various studios including Paramount...
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About Melbourne Cinémathèque
Australia's longest-running film society screens significant works of international cinema in the medium they were created, the way they would have originally screened.
Melbourne Cinémathèque is self-administered, volunteer-run, not-for-profit and membership-driven.