Source: Some information on this page may have been sourced as part of the 2023 Wikimedia Australia Partnership Projects grant, with the purpose of improving and expanding the use of Wikidata on our website. Wikidata is a free and open knowledge base that can be read and edited by both humans and machines. Read more about this project here.
Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American film director. Lumet started his career in theatre before transitioning to film where he gained a reputation for making realistic and gritty New York dramas which focused on the working class, tackled social injustices and often questioned authority. Lumet is often identified as part of the New Hollywood wave of filmmakers such as Martin Scorsese, Robert Altman, and Woody Allen. Nominated for five Academy Awards he received the Academy Honorary Award in 2004.He was nominated five times for Academy Awards: four for Best Director for 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982) and one for Best Adapted Screenplay for Prince of the City (1981). Other notable films include The Pawnbroker (1961), A View from the Bridge (1962), Long Day's Journey into Night (1962), Fail Safe (1964), The Hill (1965), Murder on the Orient Express (1974), Equus (1977), The Wiz (1978), The Morning After (1986), Running on Empty (1988), and Before the Devil Knows You're Dead (2007).
A member of the inaugural class at New York's Actors Studio, Lumet started acting off-Broadway and made his Broadway acting debut in the 1935 play Dead End. He later went on to direct the Broadway plays Night of the Auk (1956), Caligula (1960), and Nowhere to Go But Up (1962). Lumet is also known for his work on television. He received a Primetime Emmy Award for Outstanding Directing for a Drama Series nomination for NBC Sunday Showcase (1961). He also directed for Goodyear Television Playhouse, Kraft Television Theatre, and Playhouse 90.
Source: Wikidata , August 2023
Related works
Collection metadata
Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.