“I’m interested in exploring the gulf between lived experience and its representation, and how identity and ideas around intelligence are constantly being shaped, amplified or flattened through the experience of surveillance and misidentification.”

In the 1960s, scientists tried to talk to dolphins. The experiment was backed by NASA, who were investigating ways to communicate with extra-terrestrial life. One intelligence test attempted to determine self-awareness by seeing if the dolphins recognised themselves in a mirror.

Amrita Hepi draws on that trial in “Scripture for a smokescreen: Episode 1 – dolphin house”, seemingly seducing her own image. She dances with an inflatable dolphin, attempting to communicate with it through voice and movement, paralleling the intimacy between one of the researchers, Margaret Lovatt, and a male dolphin during the experiment.

Not only does Amrita lampoon the absurdity of teaching marine mammals English, she uses the study to expose the way Western knowledge systems – language, ethics and science – are imposed on people and cultures through colonisation. Through choreographed dance and moving image, Amrita explores what happens when we’re constantly under surveillance, and when assumptions about us are presented to the world through someone else’s viewpoint.

Amrita Hepi is represented by Anna Schwartz Gallery

Scripture for spiritual connections and sci-fi futures

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Scripture for a smoke screen: Episode 1 – dolphin house

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